Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Diego Velazquez
Die Ubergabe von Breda.Ausschnitt:Die Beiden Feldherren

ID: 34353

Diego Velazquez Die Ubergabe von Breda.Ausschnitt:Die Beiden Feldherren
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Diego Velazquez Die Ubergabe von Breda.Ausschnitt:Die Beiden Feldherren


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Portrait equestre du prince Baltasar Carlos (df02) | Coronation of the Virgin (df01) | Cardinal Astalli (Pamphili) (detail) (df01) | Lady from court, | St John at Patmos (detail) (df01) |
Related Artists:
Prosper Marilhat
French Academic Painter, 1811-1847, French painter. He painted his first landscapes and family portraits at Thiers and in the Auvergne before moving to Paris in 1829. After working as the pupil of Camille Roqueplan he was engaged by Baron Karl von H?gel for an expedition to the Near East (1831-3), from which he brought back numerous studies. He visited Greece, Syria, Lebanon and Palestine, stayed in Egypt from October 1831 to May 1833 and returned by way of Rhodes and Corfu. Cairo, the villages of the Delta and Upper Egypt proved to be sources of inspiration for later works.
Theophile Hamel
(8 November 1817 - 23 December 1870) was a Canadian artist who painted mainly portraits and religious images in 19th-century Quebec. Hamel was born in 1817 in Sainte-Foy (that was a suburb of Quebec City), the son of a successful farmer. Hamel's paternal ancestry can be traced to French immigrant Jean Hamel, who arrived in New France from Avremesnil (Normandy) in 1656. In 1834 Theophile was already taking art lessons from Antoine Plamondon. His early portraits show a mixture of European romanticism and Canadian simplicity. His style gradually changed to match the taste of his clients for simple, honest, even prim portraits
Alexey Bogolyubov
16 March 1824 - 3 February 1896) was a Russian landscape painter. Bogolyubov was born in the Pomeranian village of Novgorod Gubernia. His father was retired colonel Pyotr Gavriilovich Bogolyubov. Bogolyubov's maternal grandfather was the well-known philosopher and social critic Alexander Radishchev. In 1841, Alexey graduated from military school, serving in the Russian Navy and travelling with the fleet to many countries. In 1849, he started to attend classes of the Saint Petersburg Academy of Arts, where he studied under Maxim Vorobiev. The young painter was greatly influenced by Ivan Ayvazovsky. In 1853, he finished the Academy with a major Gold medal. He retired as a navy officer and was appointed an artist to the Navy headquarters. From 1854 to 1860, he travelled around Europe and worked prolifically. In Rome, he was acquainted with Alexander Ivanov, who convinced Bogolyubov to focus more on drawing. In Desseldorf, Bogolyubov took classes from the painter Andreas Achenbach. In Paris, he admired the artists of the Barbizon School. French painters Camille Corot and Charles François Daubigny were good friends and collaborators with Bogolyubov. Bogolyubov returned to Russia in 1860. He exhibited his works in the Academy and received the title of professor. For some time, he taught in the Academy. In the 1860s, he traveled along the Volga. His paintings lost all traces of Romanticism, replacing that element with staunch realism of the natural. In 1871 he was elected to the Imperial Academy of Arts. Sailing ships, 1860From 1870, he became close to the The Wanderers art movement, participated in all their exhibitions. He became a member of their board. Much older than most of the other members of the movement, he had reservations on their social ideas. In 1873, Bogolyubov left the ? in solidarity with his fellow Itinerants. He even tried to create an alternative Russian Academy of Arts in Rome.






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